Ball of lunatics at the Asylum, Blackwell's Island, East River, N. Y.
Such is Boston morality and such is woman's fidelity.
Burning of Steamers on the Ohio River at Cincinnati May 17, 1869.
Scene in a velocipede riding-school, New York City.
On the Beach at Newport, Rhode Island.
Great baseball match between the Atlantic and Boxford Clubs of Brooklyn.
In consequence of the new liquor law, this is the ingenious manner in which a worthy teuton friend of ours takes his family out for their Sunday rambles.
With open mouths and protruding tusks, they warn the intruder agents too near an approach.
One of the most thrilling disasters at sea that has happened for many years.
An extraordinary account of a mathematician, mechanician, and musician named Alix.
Startling accident at the draw bridge of the Rensselaer and Saratoga Railroad, Federal Street, Troy, N. Y., Saturday, Sept 23.
Traveling through fire—Fearful peril of a railway train, at Cedar Swamp, on the Eastern Railroad, Maine, Sunday, Sept. 17
An employee of the Boston Gas Works boasted his ability to kill a rat with his teeth.
Styles for the Month.
The original and daring aerial representation by Thomas Hanlon, now performed by him every evening at Niblo's Garden.
Mdlle. Carlotta de Berg, at the New York Circus, Fourteenth Street.
Faahee, or surf-swimming, is a favorite pastime with the natives of the Sandwich Islands.
We give in our present number a correct sketch of one of the largest specimens of the Porpoise that has ever been seen.
A simple schoolgirl prank spawned a new belief with millions of followers.
Kate Warne, America’s first female detective.
The Eye that Never Sleeps.
Cardiff, New York, October 16, 1869.

The original and daring aerial representation by Thomas Hanlon, now performed by him every evening at Niblo's Garden. [more]
It is very seldom that we have to chronicle such a feat as that which we illustrate in our present number, and which is nightly performing at Niblo’s Garden. It is universally acknowledged as being the chef d’oeuvre of gymnastic genius. Although no description can do justice to it, we will endeavor to give our readers some idea of Thomas Hanlon’s magnificent daring. He first performs many gymnastic feats, perfectly marvelous, with and upon six sticks connected together and swinging in the air. He hangs by the nape of the neck, by the toes, by the knees, in every possible attitude leaping and winding through the sticks or short ladder and recovering his balance with great adroitness. Every gymnast will bear witness that, considering the many chances of falling which the acrobat runs and against which no skill can guard, this is beyond question the most terrifically dangerous exhibition ever seen in New York. The enthusiastic delight with which it has been received by crowded houses and applause, shows that its danger as well as the skill displayed were fully appreciated.
After thus astounding this audience, he suddenly darts from the slender platform, and taking a terrific leap, grasps a rope at least twenty feet distance, which hangs form the rigging loft of theatre, and after swinging on it for some short time, lets himself down on the stage. This appalling act of labor and ingenuity must be seen to be appreciated; the most elaborate description sounds tame after witnessing it, and when seen it takes the breath away from the spectator, since, should he miss his hold nothing could save him from instant destruction. It is undoubtedly the boldest, the most reckless gymnastic feat ever attempted.
Reprinted from Frank Leslie's Illustrated Newspaper, January 28, 1860.


