No. 583
Crime, Eccentricity, and the Sporting Life in 19th Century America.
November 29, 2022

A Magical Duet on the Guitar.

An extraordinary account of a mathematician, mechanician, and musician named Alix.
January 8, 2018

Fifteen-year-old Jody Randall of Long Beach, California, was in most ways a typical suburban teenager.  The one thing that set her apart was a passion for antiques which was unusual for someone of her youth.  As a result of spending all her available free time (and her parents’ money) on her hobby, she eventually amassed some impressive pieces, including a doll collection noteworthy enough to
Strange Company - 11/28/2022
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Soapy Smith's Soap Box - 11/21/2022
Working as a domestic servant in 19th century New York City had plenty of challenges. Sure, servants received room and board in addition to their wages, and they usually had at least Sunday afternoon off. But living in another family’s home was isolating and lonely—particularly if you didn’t speak English or weren’t accustomed to urban […]
Ephemeral New York - 11/28/2022
On this date in 2002, Pakistani Mir Aimal Kansi, Kasi, or Qazi was executed by lethal injection in Virginia, U.S.A. “Real angry with the policy of the U.S. government in the Middle East, particularly toward the Palestinian people,”* Qazi on January 25, 1993 revenged himself on Central Intelligence Agency commuters queued for a left turn […]
Executed Today - 11/14/2022
Museum of the City of New YorkWilliam Howe and Abraham Hummel were the most successful criminal lawyers in Gilded Age New York. With a combination of skill, showmanship, and unethical practices, they defended most of the city’s significant criminals and many of its murderers. Whether they won or lost, Howe and Hummel made every trial sensational. Here are a few of the many accused murderers
Murder By Gaslight - 11/26/2022
Wishing you a happy and bountiful Thanksgiving Day! Lizzie is thankful for turkey and all the trimmings – and no mutton broth in sight!
Lizzie Borden: Warps and Wefts - 11/22/2022
An article I recently wrote for the British online magazine, New Politic, is now available online. The article, “The Criminal Origins of the United States of America,” is about British convict transportation to America, which took place between the years 1718 and 1775, and is the subject of my book, Bound with an Iron Chain: […]
Early American Crime - 12/17/2021
The New Rule at the Post-Office. | Afloat on a Cake of Ice.

A Magical Duet on the Guitar.

Magical Duet on Guitar

An extraordinary account of a mathematician, mechanician, and musician named Alix. [more]

So many wondrous stories are told by the ancient writes of magic and mechanism that ordinary belief is entirely at fault. If we are to believe what we read of the mechanics and learned men of the 15th, 16th, and 17th centuries, the little of chemistry or mechanical invention that we know in these times, but was then familiar to learned men, but was suppressed, either by monkish intolerance or noble ignorance. That much of these clams are true we must admit, from the fact that many wonderful inventions have come down to us, among which we can only mention gunpowder and watches as an example.

Among the wonderful stories of this kind is one told by Bonnet in his “Historie de la Musique,” where he gives the following extraordinary account of a mathematician, mechanician, and musician named Alix, who lived at Aix, in Provance about the middle of the 17th century:

“Alix, after many years’ study and labor, succeeded in constructing an automaton figure, having the shape of a human skeleton, which, by means of a concealed mechanism, played, or had the appearance of playing on the guitar. The artist after having turned in perfect unison two guitars, placed on in the hands of the skeleton, in the position proper for playing, and on a calm summer evening, having thrown open the window of his apartment he fixed the skeleton, with the guitar in its hands, in a position where it could be seen form the street. He then, taking the other instrument seated himself in an obscure corner of the room and commenced playing a piece of music, the passages of which were faithfully repeated or echoed by the guitar held by the skeleton, at the same time that the movement of its wooden fingers ,as if really executing the music completed the illusion.

“This strange musical feat drew crows around the house of the ill-fated artist; this sentiment was soon changed in the minds of the ignorant multitude into the most superstitions dread. A rumor rose that Alix was a sorcerer, and in league with the devil. He was arrested by order of the Parliament of Provence, and sent before the court, La Chambre de la Tournelle, to be tried on the capital charge of magic or witchcraft. In vain the ingenious, but unfortunate artist sought to convince his judges hat the only means used to give the apparent vitality to the fingers of the skeleton were wheels, springs, pulleys, and other equally unmagical contrivances, and that the marvelous result produced wat nothing more criminal than the solution of a problem in mechanics.

“His explanation and demonstrations were either not understood, or failed to convince his stupid and bigoted judges, and he was condemned as a sorcerer and magician. The iniquitous judgment was confirmed by the Parliament of Provence, which sentenced him to be burned alive in the principal square of the city, together with the equally innocent automaton figure, the supposed accomplice in his magical practices. This infamous sentence was carried into execution in the year 1644, to the great satisfaction and edification of all the faithful and devout inhabitants of Aix.”

Reprinted from Frank Leslie's Illustrated Newspaper, December 16, 1865.