Via Newspapers.comThis week, we visit a haunted house that has a bit of Mystery Blood thrown in. The "Glen Elder Sentinel," August 20, 1903:A remarkable ghost sensation is disturbing the serenity of St. Peter Port, Guernsey, where a local photographer has just vacated his residence on the ground that he and members of his family have been terrified by supernatural visitations. The photographer
When Patrick H. Doherty joined the Fall River Police Department in 1885, he might have been astounded to learn that he would be involved one day in two notorious murder cases- both involving hatchets and axes. Patrick Doherty was born in Peoria, Illinois on August 10, 1859 to John and Mary Walsh Doherty. Later the family moved east to Fall River, and we find Patrick Doherty living at 104 Columbia St. (off South Main) and working as a laborer for a time employed by Fall River Iron Works and the Fall River Line steamboat company. He married Honora (Nora) E. Coughlin on April 25, 1887 at the age of 28, when he was employed at the Fall River Police Department as a patrolman. The couple would have seven children: Charles T., Frank., Grace, Robert, Helene, Margaret (called Marguerite), and John. Doherty, (as were several other patrolmen), was promoted to the rank of captain after their work in the case of the century, the Borden Murders of 1892. Doherty had arrived at #92 after George Allen on the morning of the murders, and was very quickly in the thick of the action, questioning Lizzie upstairs, looking at the bodies with Dr. Dolan, running down to Smith’s pharmacy with Officer Harrington to question Eli Bence, prowling the cellar for weapons with Medley, Fleet and Dr. Bowen, and making note of Lizzie’s dress. Doherty stayed on the job on watch at the Borden house until he was relieved at 9 p.m. When it came time for the inquest, it was Doherty who slipped down to 95 Division St. to collect Bridget, who had been staying with her cousin, Patrick Harrington after the murders. He would testify at the Preliminary and the 1893 trial in New Bedford. In the midst of the excitement in New Bedford as Lizzie’s trial was about to get underway, yet another hatchet killing took over the front page, the murder of Bertha Manchester on May 30th. It was a brutal attack to rival the Borden’s with the weapon being most likely a short-handled axe or possibly a hatchet. Doherty went out to the Manchester place with Marshal Hilliard, Captains Desmond, and Connors and Inspector Perron on June 6th with the suspect, Jose Correa de Mello, who revealed his hiding place for the stolen watch taken from the victim and her purse at that time. De Mello served time and then was sent back to the Azores, banned from stepping upon U.S. soil again. The Dohertys moved to 1007 Rock St. in 1897 and Patrick was pleased to walk his daughter Margaret (Marguerite) down the aisle in 1913. Patrick Doherty retired from the force in 1915 and succumbed to interstitial nephritis on June 28, 1915.. He, and some of his children are buried in St. Patrick’s Cemetery in Fall River. Resources: Ancestry.com, Parallel Lives,: A Social History of Lizzie A. Borden and her Fall River, Find-a-Grave.com. and Yesterday in Old Fall River: A Lizzie Borden Companion Fall River Globe June 28, 1915
Bernard Gussow was born in Russia in 1881. But by 1900 he’d made it to the Lower East Side, where he was described as an “East Side artist” in a New York Times article about paintings he displayed at an art show at the Educational Alliance settlement house on East Broadway. [“Subway Steps”] Gussow would […]
An article I recently wrote for the British online magazine, New Politic, is now available online. The article, “The Criminal Origins of the United States of America,†is about British convict transportation to America, which took place between the years 1718 and 1775, and is the subject of my book, Bound with an Iron Chain: […]
17-year-old James E. Nowlin murdered George Codman in a Massachusetts stable in January 1887. Then he took an axe and chopped Codman’s body into pieces. As he traveled home in a sleigh, he threw the pieces into the snow along the road.Read the full story here: Massachusetts Butchery.
Roped-inOmaha Daily BeeJune 25, 1884(Click image to enlarge)
OSSIBLE VICTIM OF THE JEFFERSON R. SMITH GANG. Omaha Daily Bee
June 25, 1884
COLORADO.
Col. Fletcher, a tourist from Boston, was roped-in by the bunko men of Denver and relieved of $1,000.
NOTES:
$1,000.00 in 1884 is the equivalent of $33,472.95 in 2023. According to the Rocky Mountain News there were at least two,
Youth With Executioner by Nuremberg native Albrecht Dürer … although it’s dated to 1493, which was during a period of several years when Dürer worked abroad. November 13 [1617]. Burnt alive here a miller of Manberna, who however was lately engaged as a carrier of wine, because he and his brother, with the help of […]
New York, New York, 1873 - In New York City there are many degrees or castes of society; probably in no other city in the world will we find so many phases of human life. Some of these, the most palpable, we would consider, and to that end refer them to those three great thoroughfares of trade and travel, the Bowery, Broadway, and Fifth Avenue.[more]
The Bowery
The Bowery Boy is the personification of the New York “b’hoy” with a careless swagger and insolent leer. He cares “nothing for nobody,” but is bent on having a “general good time anyhow.” He is found hanging around porterhouses or corner groggeries in company with others of like proclivities. He is well known to the police, and well instructed in all ingenious dodges for the evasion of legal process. He is an object of aversion to the law-and-order-abiding citizen, of horror to the timid.
We see the Bowery girl with her gay turban and flowing head dress, yclept “waterfall,” aping, so far as her limited resources will permit, the style of her more fortunate sisters. She steps mincingly and stealthily along, casting from side to side covert glances through her semi-masque veil. She is cat-like in motion and demeanor. She works hard on the hoop-skirt or the sewing machine, and as day after day glides by without any special improvement in her social and pecuniary circumstances, she looks to marriage as the only relief from poverty, and often, trusting too implicitly the representations of a “friend,” she becomes the victim, and then sinks rapidly into a sad state of moral degradation.
Broadway
The Broadway swell is clean and fastidiously dressed, with hairs frizzed and mustache waxed and curled, a la militaire. He attends to some little matter which he dignifies by the name of business, but the greater portion of the day finds him lounging about a hotel or promenading the street cane in hand and staring at the lady pedestrians. He has much to do with sham-jewelry concerns, mock-auctions, and faro tables; is generally on the lookout for a green’un whose pocket he will adroitly lighten of his wallet. He believes in the “high life,” and he lives “fast.”
The Broadway belle is an object of much consideration. She saunters carelessly along, indifferent to everything but the admiration of others. She is far from indifferent to fashion, but consults contrast and conspicuity in her mode of dress. Does fashion prescribe a large bow to her bonnet strings, she is very likely to increase the size of said bow and permit long ends to flow gracefully down either side. She is a strange compound of simplicity and affectation, of naiveté and shrewdness, of intelligence and ignorance; at one time charming by her vivacity, at another repelling by her dullness or airy affectedness. She to a great extent controls her own fortune, and is not all the painted toy which many account her. She is the dashing, sprightly spaniel.
Fifth Avenue
The Fifth Avenue blood claims to be of all others, the very
“glass of fashion and the mold of form.”
He dresses exquisitely; his tailors and barbers are artistes, so that his fine (?) shape is displayed to the best advantage. With mustache and side whiskers of the Dundreary style, and eye-glass straining the orbicular muscles, he rides in his shining “dog cart,” or struts daintily along ogling the passers-by. He believes in aristocratic privileges and glories in castes; he is one of the “upper crust.” He is accounted a great catch by eligible young ladies and maneuvering mamas. He is a fair representation, on the principles of comparative physiognomy, of the furry-faced monkey, while the Broadway dandy is a good goat, and the rowdy an irascible bull-dog.
The Fifth Avenue flirt is a craft of a very different rig. She believes in “Full sail,” in crowding on “all the canvas.” Fashion is one of her chief gods, and they who can not come up to its requisitions re dropped out of her “set.” She sweeps grandly along with an air of assumption and importance that is as ludicrous as it is supercilious. She claims for herself aristocratic privileges, and she is not to be judged according to the “low, mean” standard of common people. Her portrait, as we give it, well portrays the purse-proud, stuck –up sentiments which reign within her mind. She may be likened to the indulged, capricious, and fickle poodle.
From:The Phrenological miscellany, or, The annuals of phrenology and physiognomy from 1865 to 1873. Rev. and combined in one volume. ed. New York: Fowler & Wells, 1882.
"We follow vice and folly where a police officer dare not show his head, as the small, but intrepid weasel pursues vermin in paths which the licensed cat or dog cannot enter."
The Sunday Flash 1841