No. 462
Crime, Eccentricity, and the Sporting Life in 19th Century America.
April 02, 2019

Rip Roaring Fun.

How the merchants and cowboys of Butte City, Montana run the local concert hall after their own fashion.
April 2, 2019
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Ian Davison was a successful librettist, actor, and playwright on the London stage during the 1920s.  However, Davison grew tired of the big city theatrical life, and decided to retire to the countryside.  His choice of rural retreat was Branden Farm, just outside Sissinghurst, in Kent.At first glance, Branden seemed an odd pick for someone seeking a pastoral idyll.  The farm was
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Conceived as a romantic English landscape garden and enhanced by sloping contours, rock outcroppings, and dramatic river views, Riverside Park began opening in stages in the 1870s. Since then, it’s undergone a lot of changes—and it helps to click into the image above to see them. For starters, the original Riverside Park only stretched from […]
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Whatever you believe about the guilt or innocence of Lizzie Borden, I have always believed film makers do a great injustice to the story by not beginning at the beginning- the death on March 26, 1863 of the first Mrs. Borden. In the dying moments of Sarah Morse, Emma takes on the weight of the care of her little sister, not yet three years old. Emma herself was just 12 on March 1st. Emma has seen her mother suffer for a long time, seen her pain and loss of little Alice Esther. Emma is old enough
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  [Editor’s note: Guest writer, Peter Dickson, lives in West Sussex, England and has been working with microfilm copies of The Duncan Campbell Papers from the State Library of NSW, Sydney, Australia. The following are some of his analyses of what he has discovered from reading these papers. Dickson has contributed many transcriptions to the Jamaica […]
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"He Loves Me; He Loves Me Not." | A Brooklyn Romance.

Rip Roaring Fun.

How the merchants and cowboys of Butte City, Montana run the local concert hall after their own fashion.

The Butte concert saloons are usually underground. The saloon is square, with a row of private boxes all around the top. The orchestra b occupied by cowboys and miners, who guzzle beer at twenty-five cents per glass with flabby barmaids The boxes are occupied by bank presidents, merchants and wealthy citizens, who sit behind lace curtains and drink Missouri cider champagne at $5 a bottle with girls in gauze dresses or tights. The gambling tables and broken-voiced singers make a pandemonium of the place. The weird electric lights make the room look like Hades, Illuminated. At 11 o'clock the singing is now and then disturbed by pistol shots from the cowboys, who shoot down into the ground unless they have a special dislike to the singer; then the ball whisps through the curtain. Sometimes the cowboys chaff the merchants behind the curtains in the boxes and make them order whiskey for the orchestra. Everybody calls everybody else by his first name, and there is perfect democracy throughout the saloon. There is no concealment of wickedness, but each on does all he can to make the concert hall the wickedest place in the wickedest city in the world. The next morning everything is forgotten, and the merchants are in their stores, the miners in their mines and the pistolled cowboy punching his cattle ten miles away.


Reprinted from National Police Gazette, June 19, 1886.