Pennsylvania—Scene in the Schuylkill County Prison at Pottsville—The “Prisoners’ March” for exercise in the corridor.

The Schuylkill County Prison at Pottsville is one of the largest and most important in the State of Pennsylvania. Special interest has attached to it of late years from the fact that many of the notorious Mollie Maquire murderers have been either executed within its walls, or are now serving out sentences there. The building is 285 feet wide by 296 feet deep, the prison proper being in the shape of an L. The front wing is 165 feet long, and the side wing 213 feet, making the total length of 378 feet by a width of 52 feet. A corridor extends through the middle on each side of which is a two-story row of cells, 114 in number. The corridor is fifteen feet wide and is covered by a brick arch, in which there are ten large skylights. On each side of the prison is a space of ground, surrounded by a wall thirty high, and here the prisoners are exercised daily, except in the Winter, when, on account of the severity of the weather, the corridor is used. The prisoners are all kept regularly at work, and the goods which they manufacture reduced the net cost of the institution to the county last year from $22,619 to $7,860. The warden is Joseph Dolan, who is assisted by two keepers, and they have an average number of 65 persons under their charge, although the total sometimes runs up as high as 125. The scene presented in the corridor, when the prisoners are gathered for their daily round of exercise, is a very interesting one, as our illustration shows. A couple of jolly Africans, whose misdeeds have debarred them from airing their musical accomplishments in the outside world, head the procession and sound the keynote with their banjos, while some of the older and more trusted prisoners see that order is preserved. Discipline is well enforced, while the harmless recreation thus afforded proves an excellent thing for the convicts.

Reprinted from Frank Leslie's Illustrated Newspaper 10 Mar 1883.

Carson City, Nevada, March 17, 1897 – On St. Patrick’s Day, 1897, “Ruby” Robert Fitzsimmons challenged “Gentleman” Jim Corbett for the heavyweight boxing championship of the world. The fight in Carson City resembled the picture above for thirteen rounds, and then in round fourteen, Fitzsimmons knocked Corbett to the canvas to become the new world champ.

In March of 1897, much of the world had its attention focused on Carson City, Nevada, where “Gentleman” Jim Corbett would be defending his heavyweight championship against “Ruby” Robert Fitzsimmons. Billed as the "Fight of the Century," there was bad blood going in. Corbett had been refusing Fitzsimmons’ challenges for several years and at one point had nearly retired without defending his title, but Fitzsimmons had raised the necessary cash and Corbett finally accepted the challenge. Finding a venue for the fight had been a problem too. The sport was denounced as barbaric from pulpit and podium and most states had outlawed prizefighting. But Nevada, hit hard by the Depression of 1893 and the falling price of silver welcomed the crowds and their money.

The date set for the fight was March 17, St. Patrick’s Day. In Carson City, that night, Bob Fitzsimmons, the skinny, freckled, New Zealander, kissed his wife, Rose, and entered the ring a solid underdog. In the sixth round, Corbett had him bloodied, on his knees, but it was not enough. In the fourteenth round, Rose came to the ropes and shouted, “Hit him in the slats, Bob.”

Fitzsimmons punched Gentleman Jim at the bottom of the rib cage, knocking his wind out. The Gentleman hit the canvas and ten seconds later Ruby Robert Fitzsimmons was the heavyweight champion of the world.

The Animation

The animated picture above comes from the Cincinnati Post, March 18, 1897. Their coverage of the fight included a strip of images across the bottom of the page:

The Post urged their readers to construct a kinetoscope to view the images. Kinetoscope is the name Thomas Edison gave his early, single viewer motion picture projector, but a homemade kinetoscope is  a slotted, rotating cylinder used to view a series of pictures as an animated image

Before now, only a handful of industrious, 19th century, Cincinnati boys, who actually built a kinetoscope, could see Corbett and Fitzsimmons duke it out round after round. But now, with the miracle of digital animation, everyone can see it without lifting a finger. That’s progress.

Cincinatti Post, March 18, 1897